From their introduction in the late 1890s, 78 rpm records featured equalizations set by the recording studios producing them. This lack of standards created a wide range of sound and, well, inconsistent listening experiences.
Not satisfied with the sound quality of his record collection, Saul set out to correct this. His goal was to create a pre-amplifier that could connect to any amplifier and deliver a cleaner sound that better matched what the artists intended in their performances.
Working from his home in Kew Gardens, New York, Saul experimented with multiple designs. His first models of the Audio Consolette went on sale in the fall of 1952. In 1953, Sid Smith, joined Saul to upgrade and improve the design, which led to the Marantz Model 1. A music lover and scholar who learned electronics as a young radio technician in World War II, Sid went on to engineer multiple products for Marantz and become a legendary name in sound reproduction himself.
Even after the new RIAA equalization standards of 1955, the Audio Consolette and its successors were revered by audiophiles for their audio alchemy and musical sound.